Away from Her
Alice Munro








Alice Munro has long been heralded for her penetrating, lyrical prose, and in “The Bear Came Over the Mountain”—the basis for Sarah Polley’s film Away from Her —her prodigious talents are once again on display.

As she follows Grant, a retired professor whose wife Fiona begins gradually to lose her memory and drift away from him, we slowly see how a lifetime of intimate details can create a marriage, and how mysterious the bonds of love really are.






Alice Munro

AWAY FROM HER










Preface


Every now and then, a piece of writing enters your life and collects seemingly unrelated threads, tangling some of them together, straightening out a few, until an articulate pattern is embroidered. One you could have never made yourself.

“The Bear Came Over the Mountain” entered my life when I was twenty-one years old. It crept right into me, had its way with me, and shifted my direction in ways I didn’t understand until years later. I am not an academic, nor a writer (I don’t consider the adaptation of other people’s stories serious writing), so I feel ill equipped to complete the task of writing this preface other than from a purely personal point of view. I believe I can say, without danger of overstatement, that I have had a relationship with this story that has been as powerful and as transformative as any I have had with another human being.

I first read the story on a plane on my way home from Iceland, where I had just finished acting in a film with Julie Christie. My grandmother was gradually losing her grip on her independence and on her memory. My romantic life was in tatters. (These details are only relevant to one another in the context of my own reading of the story. As the details of someone else’s life are only relevant to their reading of it. That’s one of the strangest things about the adaptation of fiction into film. You can never claim that it’s faithful to anything but the story that you read, at that moment, in those particular circumstances. The person next to me, who may also have been reading that week’s New Yorker on the plane from Reykjavik to London, could have easily read another story entirely.) The film that I made, Away from Her, may seem blasphemously untrue to what another reader may see in it, though I painstakingly honored the story that I loved.

I’ve always admired Alice Munro’s writing, but this story punctured something. I read it, stunned,and let it sit there. It seemed to enter like a bullet. So concise and unsentimental, nothing to cushion the blow of its impact. When I was finished, I couldn’t stop weeping.

I returned to it many times in the following months, trying to make sense of the hold it had over me. First, there was Julie Christie. I had met her on the set of Hal Hartley’s film No Such Thing. It had been a magical time, being exposed to someone so essentially curious and alive, and as Alice Munro writes about Fiona, “not quite concealing a private amusement.” It was compounded by meeting her in such a stunning and strange place. And it was a wonder to discover it with her. It was immediately impossible to not imagine Julie’s face when Fiona was described in the story. (And the coincidence of Fiona’s Icelandic background was odd, to say the least.)

Meeting Julie was a kind of salvation for me and distracted me from the exhilarating mess I had been making of my life. In retrospect, I wonder if it isn’t part of the job description of being in your early twenties to make a mess of things. If it is, then I was excelling at my work. I had one unstable, destructive relationship after another, and I didn’t want it any other way. I was a love glutton, addicted to melodrama, and convinced that happiness was the stuff boredom was made of. In the middle of this heart wrenching, hugely stimulating time, I met a film editor named David.

He was a respected editor in Canada, and he agreed to guide me through making my first short film. I immediately liked him, his dry humor, his achingly empathetic eyes, his introspection, the compassionate way he listened when others told stories, his lack of need to take over a room. I loved sitting next to him in the dark in front of the Avid editing system as we talked about images, sound, and the emotional narrative of two other, fictional people. After the film was complete, I stalked him until he dated me, and when, after three weeks, he hadn’t fallen in love with me, I was hurt, and possibly furious. I confronted him. Looking back, I am in awe of the gall it takes to “confront” someone over not falling in love with you.

He was patient with me. He explained that he didn’t believe that love was the name for the butterflies he had in his stomach after three weeks. The butterflies were there, but he didn’t think they were… important. I believed that initial obsession was the main signal, the chief aim of coming into contact with someone you were in love with, and didn’t understand his apparent disregard for irrational passion. If he felt these things as he was claiming to, why wouldn’t he call it love?

He talked about his parents, how they had been together for forty-five years, and how sometimes, as his mother washed the dishes, her husband would approach her as she worked, slip his arms around her waist and lightly kiss the back of her neck. He thought that this endurance was the definition of love, not that initial insanity. If something remained, some inexplicable, intangible thread managed to stay unbroken, after the betrayals, the hurt, and the disappointment that any marriage must surely endure, then that was what he was willing to concede must be love.

Finding this the most boring, unromantic, staid portrait of the thing, I bid him adieu and ran into the arms of the next nightmare I could find. We stayed friends, but the friendship was fraught with hurt and abandonment, more obviously for him, but for me too.

And so, much of my time in Iceland was spent negotiating an impossible and uncompassionate relationship with someone else, someone with whom I could see no future, and which caused much harm to other people.

Over the next few years, I kept coming back to “The Bear Came Over the Mountain,” again and again. I couldn’t shake the sound of Grant and Fiona’s private jokes, the sinking, sick feeling of Grant’s guilt, the absolute tenderness between two people who have and are in various ways failing each other and simultaneously doing everything they can. I couldn’t stop thinking about Fiona’s tender use of the word “forsaken” and how ironically and genuinely she says it to him. I couldn’t stop seeing Grant as he “skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice,” and the eloquent, wintry canvas that serves as the backdrop for their marriage and their loss and discovery of it. I had thought, when I’d finished reading it the first time, that with all of this fictional marriage’s failures, this was perhaps not the greatest love story I’d ever read, but the only love story I’d read. I made no connection between what David had said and my experience of the story, but it stayed with me in such a potent, visceral way, and despite the dust of melodrama I was kicking up around me in my own life, I couldn’t get free of its clarity.

Something in me needed to live inside this story. I think now that it somehow lived in my subconscious for those years, and unhappy as I was in the life I had chosen for myself, I think it was my way of returning, again and again, to the idea of a life with David.

All I knew then was that “The Bear Came Over the Mountain” had raised important questions for me, and I needed to take a good long walk around it and inside it to find out what exactly the natures of those questions were. The way I articulated all of that at the time was simply that I had to make a film out of it.

At around this time, my grandmother’s health starting fading. She was finding that the day-to-day struggle of living alone was becoming too much for her, and as her memory began reforming itself, she began to forget basic facts of her own history, glom-ming onto passages and songs from a lifetime ago that had an elusive relevance she couldn’t finger. Once, as I sat with her at her kitchen table, looking out the high-rise window at the suburban streets below, she said, out of nowhere,
		“I see the lights of the village gleam



		through the rain and the mist







		And a feeling of sadness comes o’er me



		that my soul cannot resist







		A feeling of sadness and longing,



		that is not akin to pain







		But resembles sorrow only,



		as the mist resembles the rain.”








The look on her face as she recited this verse was one I’d never seen. I longed to know the time and the context in which she’d learned these lines. Whatever association she made with it seemed unfathomably sad and not of the present moment, but though her emotional memory of it was vivid, I think she was truthful when she answered that she didn’t know where it came from. This was the first moment that it occurred to me that the things you remember, not in words but in the very molecules that make up your being, can be more painful than the things that are forgotten. It’s something that I think is so beautifully illustrated in Alice Munro’s short story.

As my grandmother’s health deteriorated, it became necessary to look for a retirement home for her to live in. It was a complicated process, and as we toured many institutions, I constantly heard the descriptions of Fiona’s retirement home, Meadow-lake, ringing in my ears. By the time she had settled in a facility I was well into the process of adapting the story and it became difficult to not be distracted by the details and idiosyncrasies of the institution itself, seeing Munro’s descriptions displayed before me, and adding details of my own. As I witnessed my reluctance to go and see her—knowing that I would likely leave with a depression hanging over me—I often thought of the line, “perhaps even the teenagers would be glad, one day, that they had come.”

I’ve been walking around in this story for a long time now, and life has, of course, occurred in the interim. Some of it was inevitable, and other things I can’t help but feel were hugely influenced by my relationship to it.

On the inevitable side, my grandmother—whose memory had faded to the point where I had to answer her questions about where her eldest daughter was again and again (my mother died fifteen years ago)—passed away this summer, days before we completed the film.

And somewhere in the years between reading the story for the first time, and optioning it to adapt into a screenplay, my love for my best friend, David, hit me like a Mack truck. I’d like to think this would have happened without my entering into the world of this story, but I’m not sure it would have happened as clearly or as fast, and I’m not sure he would have waited that much longer. As it happened, this story helped me move my idea of what love was, and specifically, unconditional love, into something much less melodramatic and typically cinematic, yet unfathomably deep and complicated in its own right. As Fiona does in the story, I proposed to him on a windy day, and he wondered if I was joking.

It was an incredible process to sit beside David, after three years of marriage, and edit the final film together. Of course, as we sat in that dark room in front of the Avid, we fought and betrayed and loved each other in ways that have added considerably to our capacity for endurance.

This story reshaped my idea of love, gave me a keener eye into the experience of my grandmother as she moved out of her home and into her final years, and gave me the opportunity to delve into all this with one of the most interesting people I’ve ever met, Julie Christie. Those are the threads it gathered for me. I’m sure that anyone who reads it will find a unique design embroidered for them, and that it will be as diverse and unique as their lives are.

I’ve read “The Bear Came Over the Mountain” dozens of times, and each time I am amazed at its precision, its lack of sentimentality, its searing clarity and its ability to reach so far into me with each reading. More than all that, I still marvel that one day, a while ago now, it held my hand and led me to a place that I am very, very grateful to be.






    

Sarah Polley



    

February 2007









The Bear Came Over the Mountain







Fiona lived in her parents’ house, in the town where she and Grant went to university. It was a big, bay-windowed house that seemed to Grant both luxurious and disorderly, with rugs crooked on the floors and cup rings bitten into the table varnish. Her mother was Icelandic—a powerful woman with a froth of white hair and indignant far-left politics. The father was an important cardiologist, revered around the hospital but happily subservient at home, where he would listen to strange tirades with an absentminded smile. All kinds of people, rich or shabby-looking, delivered these tirades, and kept coming and going and arguing and conferring, sometimes in foreign accents. Fiona had her own little car and a pile of cashmere sweaters, but she wasn’t in a sorority, and this activity in her house was probably the reason.

Not that she cared. Sororities were a joke to her, and so was politics, though she liked to play “The Four Insurgent Generals” on the phonograph, and sometimes also she played the “Internationale,” very loud, if there was a guest she thought she could make nervous. A curly-haired, gloomy-looking foreigner was courting her—she said he was a Visigoth—and so were two or three quite respectable and uneasy young interns. She made fun of them all and of Grant as well. She would drolly repeat some of his smalltown phrases. He thought maybe she was joking when she proposed to him, on a cold bright day on the beach at Port Stanley. Sand was stinging their faces and the waves delivered crashing loads of gravel at their feet.

“Do you think it would be fun—” Fiona shouted. “Do you think it would be fun if we got married?”

He took her up on it, he shouted yes. He wanted never to be away from her. She had the spark of life.




Just before they left their house Fiona noticed a mark on the kitchen floor. It came from the cheap black house shoes she had been wearing earlier in the day.

“I thought they’d quit doing that,” she said in a tone of ordinary annoyance and perplexity, rubbing at the gray smear that looked as if it had been made by a greasy crayon.

She remarked that she would never have to do this again, since she wasn’t taking those shoes with her.

“I guess I’ll be dressed up all the time,” she said. “Or semi dressed up. It’ll be sort of like in a hotel.”

She rinsed out the rag she’d been using and hung it on the rack inside the door under the sink. Then she put on her golden-brown fur-collared ski jacket over a white turtle-necked sweater and tailored fawn slacks. She was a tall, narrow-shouldered woman, seventy years old but still upright and trim, with long legs and long feet, delicate wrists and ankles and tiny, almost comical-looking ears. Her hair, which was light as milkweed fluff, had gone from pale blond to white somehow without Grant’s noticing exactly when, and she still wore it down to her shoulders, as her mother had done. (That was the thing that had alarmed Grant’s own mother, a small-town widow who worked as a doctor’s receptionist. The long white hair on Fiona’s mother, even more than the state of the house, had told her all she needed to know about attitudes and politics.)

Otherwise Fiona with her fine bones and small sapphire eyes was nothing like her mother. She had a slightly crooked mouth which she emphasized now with red lipstick—usually the last thing she did before she left the house. She looked just like herself on this day—direct and vague as in fact she was, sweet and ironic.




Over a year ago Grant had started noticing so many little yellow notes stuck up all over the house. That was not entirely new. She’d always written things down—the title of a book she’d heard mentioned on the radio or the jobs she wanted to make sure she did that day. Even her morning schedule was written down—he found it mystifying and touching in its precision.

7 a.m. Yoga. 7:30–7:45 teeth face hair. 7:45–8:15 walk. 8:15 Grant and Breakfast.

The new notes were different. Taped onto the kitchen drawers—Cutlery, Dishtowels, Knives. Couldn’t she have just opened the drawers and seen what was inside? He remembered a story about the German soldiers on border patrol in Czechoslovakia during the war. Some Czech had told him that each of the patrol dogs wore a sign that said Hund. Why?said the Czechs, and the Germans said, Because that is a hund.

He was going to tell Fiona that, then thought he’d better not. They always laughed at the same things, but suppose this time she didn’t laugh?

Worse things were coming. She went to town and phoned him from a booth to ask him how to drive home. She went for her walk across the field into the woods and came home by the fence line—a very long way round. She said that she’d counted on fences always taking you somewhere.

It was hard to figure out. She said that about fences as if it was a joke, and she had remembered the phone number without any trouble.

“I don’t think it’s anything to worry about,” she said. “I expect I’m just losing my mind.”

He asked if she had been taking sleeping pills.

“If I have I don’t remember,” she said. Then she said she was sorry to sound so flippant.

“I’m sure I haven’t been taking anything. Maybe I should be. Maybe vitamins.”

Vitamins didn’t help. She would stand in doorways trying to figure out where she was going. She forgot to turn on the burner under the vegetables or put water in the coffeemaker. She asked Grant when they’d moved to this house.

“Was it last year or the year before?”

He said that it was twelve years ago.

She said, “That’s shocking.”

“She’s always been a bit like this,” Grant said to the doctor. “Once she left her fur coat in storage and just forgot about it. That was when we were always going somewhere warm in the winters. Then she said it was unintentionally on purpose, she said it was like a sin she was leaving behind. The way some people made her feel about fur coats.”

He tried without success to explain something more—to explain how Fiona’s surprise and apologies about all this seemed somehow like routine courtesy, not quite concealing a private amusement. As if she’d stumbled on some adventure that she had not been expecting. Or was playing a game that she hoped he would catch on to. They had always had their games—nonsense dialects, characters they invented. Some of Fiona’s made-up voices, chirping or wheedling (he couldn’t tell the doctor this), had mimicked uncannily the voices of women of his that she had never met or known about.

“Yes, well,” the doctor said. “It might be selective at first. We don’t know, do we? Till we see the pattern of the deterioration, we really can’t say.”

In a while it hardly mattered what label was put on it. Fiona, who no longer went shopping alone, disappeared from the supermarket while Grant had his back turned. A policeman picked her up as she walked down the middle of the road, blocks away. He asked her name and she answered readily. Then he asked her the name of the prime minister of the country.

“If you don’t know that, young man, you really shouldn’t be in such a responsible job.”

He laughed. But then she made the mistake of asking if he’d seen Boris and Natasha.

These were the Russian wolfhounds she had adopted some years ago as a favor to a friend, then devoted herself to for the rest of their lives. Her taking them over might have coincided with the discovery that she was not likely to have children. Something about her tubes being blocked, or twisted—Grant could not remember now. He had always avoided thinking about all that female apparatus. Or it might have been after her mother died. The dogs’ long legs and silky hair, their narrow, gentle, intransigent faces made a fine match for her when she took them out for walks. And Grant himself, in those days, landing his first job at the university (his father-in-law’s money welcome in spite of the political taint), might have seemed to some people to have been picked up on another of Fiona’s eccentric whims, and groomed and tended and favored. Though he never understood this, fortunately, until much later.

* * *


She said to him, at suppertime on the day of the wandering-off at the supermarket, “You know what you’re going to have to do with me, don’t you? You’re going to have to put me in that place. Shallowlake?”

Grant said, “Meadowlake. We’re not at that stage yet.”

“Shallowlake, Shillylake,” she said, as if they were engaged in a playful competition. “Sillylake. Sillylake it is.”

He held his head in his hands, his elbows on the table. He said that if they did think of it, it must be as something that need not be permanent. A kind of experimental treatment. A rest cure.




There was a rule that nobody could be admitted during the month of December. The holiday season had so many emotional pitfalls. So they made the twenty-minute drive in January. Before they reached the highway the country road dipped through a swampy hollow now completely frozen over. The swamp-oaks and maples threw their shadows like bars across the bright snow. Fiona said, “Oh, remember.” Grant said, “I was thinking about that too.” “Only it was in the moonlight,” she said.

She was talking about the time that they had gone out skiing at night under the full moon and over the black-striped snow, in this place that you could get into only in the depths of winter. They had heard the branches cracking in the cold.

So if she could remember that so vividly and correctly, could there really be so much the matter with her?

It was all he could do not to turn around and drive home.




There was another rule which the supervisor explained to him. New residents were not to be visited during the first thirty days. Most people needed that time to get settled in. Before the rule had been put in place, there had been pleas and tears and tantrums, even from those who had come in willingly. Around the third or fourth day they would start lamenting and begging to be taken home. And some relatives could be susceptible to that, so you would have people being carted home who would not get on there any better than they had before. Six months later or sometimes only a few weeks later, the whole upsetting hassle would have to be gone through again.

“Whereas we find,” the supervisor said, “we find that if they’re left on their own they usually end up happy as clams. You have to practically lure them into a bus to take a trip to town. The same with a visit home. It’s perfectly okay to take them home then, visit for an hour or two—they’re the ones that’ll worry about getting back in time for supper. Meadowlake’s their home then. Of course, that doesn’t apply to the ones on the second floor, we can’t let them go. It’s too difficult, and they don’t know where they are anyway.”

“My wife isn’t going to be on the second floor,” Grant said.

“No,” said the supervisor thoughtfully. “I just like to make everything clear at the outset.”




They had gone over to Meadowlake a few times several years ago, to visit Mr. Farquar, the old bachelor farmer who had been their neighbor. He had lived by himself in a drafty brick house unaltered since the early years of the century, except for the addition of a refrigerator and a television set. He had paid Grant and Fiona unannounced but well-spaced visits and, as well as local matters, he liked to discuss books he had been reading—about the Crimean War or Polar explorations or the history of firearms. But after he went to Meadowlake he would talk only about the routines of the place, and they got the idea that their visits, though gratifying, were a social burden for him. And Fiona in particular hated the smell of urine and bleach that hung about, hated the perfunctory bouquets of plastic flowers in niches in the dim, low-ceilinged corridors.

Now that building was gone, though it had dated only from the fifties. Just as Mr. Farquar’s house was gone, replaced by a gimcrack sort of castle that was the weekend home of some people from Toronto. The new Meadowlake was an airy, vaulted building whose air was faintly pleasantly pine-scented. Profuse and genuine greenery sprouted out of giant crocks.

Nevertheless, it was the old building that Grant would find himself picturing Fiona in during the long month he had to get through without seeing her. It was the longest month of his life, he thought—longer than the month he had spent with his mother visiting relatives in Lanark County, when he was thirteen, and longer than the month that Jacqui Adams spent on holiday with her family, near the beginning of their affair. He phoned Meadow-lake every day and hoped that he would get the nurse whose name was Kristy. She seemed a little amused at his constancy, but she would give him a fuller report than any other nurse he got stuck with.

Fiona had caught a cold, but that was not unusual for newcomers.

“Like when your kids start school,” Kristy said.

“There’s a whole bunch of new germs they’re exposed to, and for a while they just catch everything.”

Then the cold got better. She was off the antibiotics, and she didn’t seem as confused as she had been when she came in. (This was the first time Grant had heard about either the antibiotics or the confusion.) Her appetite was pretty good, and she seemed to enjoy sitting in the sunroom. She seemed to enjoy watching television.

One of the things that had been so intolerable about the old Meadowlake had been the way the television was on everywhere, overwhelming your thoughts or conversation wherever you chose to sit down. Some of the inmates (that was what he and Fiona called them then, not residents) would raise their eyes to it, some talked back to it, but most just sat and meekly endured its assault. In the new building, as far as he could recall, the television was in a separate sitting room, or in the bedrooms. You could make a choice to watch it.

So Fiona must have made a choice. To watch what?

During the years that they had lived in this house, he and Fiona had watched quite a bit of television together. They had spied on the lives of every beast or reptile or insect or sea creature that a camera was able to reach, and they had followed the plots of what seemed like dozens of rather similar fine nineteenth-century novels. They had slid into an infatuation with an English comedy about life in a department store and had watched so many reruns that they knew the dialogue by heart. They mourned the disappearance of actors who died in real life or went off to other jobs, then welcomed those same actors back as the characters were born again. They watched the floorwalker’s hair going from black to gray and finally back to black, the cheap sets never changing. But these, too, faded; eventually the sets and the blackest hair faded as if dust from the London streets was getting in under the elevator doors, and there was a sadness about this that seemed to affect Grant and Fiona more than any of the tragedies on Masterpiece Theatre, so they gave up watching before the final end.

Fiona was making some friends, Kristy said. She was definitely coming out of her shell.

What shell was that? Grant wanted to ask, but checked himself, to remain in Kristy’s good graces.




If anybody phoned, he let the message go onto the machine. The people they saw socially, occasionally, were not close neighbors but people who lived around the countryside, who were retired, as they were, and who often went away without notice. The first years that they had lived here Grant and Fiona had stayed through the winter. A country winter was a new experience, and they had plenty to do, fixing up the house. Then they had gotten the idea that they too should travel while they could, and they had gone to Greece, to Australia, to Costa Rica. People would think that they were away on some such trip at present.

He skied for exercise but never went as far as the swamp. He skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice. He counted off the times he went round the field, and then he came back to the darkening house, turning the television news on while he got his supper. They had usually prepared supper together. One of them made the drinks and the other the fire, and they talked about his work (he was writing a study of legendary Norse wolves and particularly of the great Fenris wolf who swallows up Odin at the end of the world) and about whatever Fiona was reading and what they had been thinking during their close but separate day. This was their time of liveliest intimacy, though there was also, of course, the five or ten minutes of physical sweetness just after they got into bed—something that did not often end up in sex but reassured them that sex was not over yet.




In a dream Grant showed a letter to one of his colleagues whom he had thought of as a friend. The letter was from the roommate of a girl he had not thought of for a while. Its style was sanctimonious and hostile, threatening in a whining way—he put the writer down as a latent lesbian. The girl herself was someone he had parted from decently, and it seemed unlikely that she would want to make a fuss, let alone try to kill herself, which was what the letter was apparently, elaborately, trying to tell him.

The colleague was one of those husbands and fathers who had been among the first to throw away their neckties and leave home to spend every night on a floor mattress with a bewitching young mistress, coming to their offices, their classes, bedraggled and smelling of dope and incense. But now he took a dim view of such shenanigans, and Grant recollected that he had in fact married one of those girls, and that she had taken to giving dinner parties and having babies, just as wives used to do.

“I wouldn’t laugh,” he said to Grant, who did not think he had been laughing. “And if I were you I’d try to prepare Fiona.”

So Grant went off to find Fiona in Meadowlake—the old Meadowlake—and got into a lecture theater instead. Everybody was waiting there for him to teach his class. And sitting in the last, highest row was a flock of cold-eyed young women all in black robes, all in mourning, who never took their bitter stares off him and conspicuously did not write down, or care about, anything he was saying.

Fiona was in the first row, untroubled. She had transformed the lecture room into the sort of corner she was always finding at a party—some high-and-dry spot where she drank wine with mineral water, and smoked ordinary cigarettes and told funny stories about her dogs. Holding out there against the tide, with some people who were like herself, as if the dramas that were being played out in other corners, in bedrooms and on the dark verandah, were nothing but childish comedy. As if charity was chic, and reticence a blessing.

“Oh, phooey,” Fiona said. “Girls that age are always going around talking about how they’ll kill themselves.”

But it wasn’t enough for her to say that—in fact, it rather chilled him. He was afraid that she was wrong, that something terrible had happened, and he saw what she could not—that the black ring was thickening, drawing in, all around his windpipe, all around the top of the room.




He hauled himself out of the dream and set about separating what was real from what was not.

There had been a letter, and the word “RAT” had appeared in black paint on his office door, and Fiona, on being told that a girl had suffered from a bad crush on him, had said pretty much what she said in the dream. The colleague hadn’t come into it, the black-robed women had never appeared in his classroom, and nobody had committed suicide. Grant hadn’t been disgraced, in fact he had got off easily when you thought of what might have happened just a couple of years later. But word got around. Cold shoulders became conspicuous. They had few Christmas invitations and spent New Year’s Eve alone. Grant got drunk, and without its being required of him—also, thank God, without making the error of a confession—he promised Fiona a new life.

The shame he felt then was the shame of being duped, of not having noticed the change that was going on. And not one woman had made him aware of it. There had been the change in the past when so many women so suddenly became available—or it seemed that way to him—and now this new change, when they were saying that what had happened was not what they had had in mind at all. They had collaborated because they were helpless and bewildered, and they had been injured by the whole thing, rather than delighted. Even when they had taken the initiative they had done so only because the cards were stacked against them.

Nowhere was there any acknowledgment that the life of a philanderer (if that was what Grant had to call himself—he who had not had half as many conquests or complications as the man who had reproached him in his dream) involved acts of kindness and generosity and even sacrifice. Not in the beginning, perhaps, but at least as things went on. Many times he had catered to a woman’s pride, to her fragility, by offering more affection—or a rougher passion—than anything he really felt. All so that he could now find himself accused of wounding and exploiting and destroying self-esteem. And of deceiving Fiona—as of course he had deceived her—but would it have been better if he had done as others had done with their wives and left her?

He had never thought of such a thing. He had never stopped making love to Fiona in spite of disturbing demands elsewhere. He had not stayed away from her for a single night. No making up elaborate stories in order to spend a weekend in San Francisco or in a tent on Manitoulin Island. He had gone easy on the dope and the drink and he had continued to publish papers, serve on committees, make progress in his career. He had never had any intention of throwing up work and marriage and taking to the country to practice carpentry or keep bees.

But something like that had happened after all. He took an early retirement with a reduced pension. The cardiologist had died, after some bewildered and stoical time alone in the big house, and Fiona had inherited both that property and the farmhouse where her father had grown up, in the country near Georgian Bay. She gave up her job, as a hospital coordinator of volunteer services (in that everyday world, as she said, where people actually had troubles that were not related to drugs or sex or intellectual squabbles). A new life was a new life.

Boris and Natasha had died by this time. One of them got sick and died first—Grant forgot which one—and then the other died, more or less out of sympathy.

He and Fiona worked on the house. They got cross-country skis. They were not very sociable, but they gradually made some friends. There were no more hectic flirtations. No bare female toes creeping up under a man’s pants leg at a dinner party. No more loose wives.

Just in time, Grant was able to think, when the sense of injustice wore down. The feminists and perhaps the sad silly girl herself and his cowardly so-called friends had pushed him out just in time. Out of a life that was in fact getting to be more trouble than it was worth. And that might eventually have cost him Fiona.




On the morning of the day when he was to go back to Meadowlake for the first visit, Grant woke early. He was full of a solemn tingling, as in the old days on the morning of his first planned meeting with a new woman. The feeling was not precisely sexual. (Later, when the meetings had become routine, that was all it was.) There was an expectation of discovery, almost a spiritual expansion. Also timidity, humility, alarm.

He left home too early. Visitors were not allowed before two o’clock. He did not want to sit out in the parking lot, waiting, so he made himself turn the car in a wrong direction.

There had been a thaw. Plenty of snow was left, but the dazzling hard landscape of earlier winter had crumbled. These pocked heaps under a gray sky looked like refuse in the fields.

In the town near Meadowlake he found a florist’s shop and bought a large bouquet. He had never presented flowers to Fiona before. Or to anyone else. He entered the building feeling like a hopeless lover or a guilty husband in a cartoon.

“Wow. Narcissus this early,” Kristy said. “You must’ve spent a fortune.” She went along the hall ahead of him and snapped on the light in a closet, or sort of kitchen, where she searched for a vase. She was a heavy young woman who looked as if she had given up in every department except her hair. That was blond and voluminous. All the puffed-up luxury of a cocktail waitress’s style, or a stripper’s, on top of such a workaday face and body.

“There, now,” she said, and nodded him down the hall. “Name’s right on the door.”

So it was, on a nameplate decorated with bluebirds. He wondered whether to knock, and did, then opened the door and called her name.

She wasn’t there. The closet door was closed, the bed smoothed. Nothing on the bedside table, except a box of Kleenex and a glass of water. Not a single photograph or picture of any kind, not a book or a magazine. Perhaps you had to keep those in a cupboard.

He went back to the nurses’ station, or reception desk, or whatever it was. Kristy said “No?” with a surprise that he thought perfunctory.

He hesitated, holding the flowers. She said, “Okay, okay—let’s set the bouquet down here.” Sighing, as if he was a backward child on his first day at school, she led him along a hall, into the light of the huge sky windows in the large central space, with its cathedral ceiling. Some people were sitting along the walls, in easy chairs, others at tables in the middle of the carpeted floor. None of them looked too bad. Old—some of them incapacitated enough to need wheel-chairs—but decent. There used to be some unnerving sights when he and Fiona went to visit Mr. Farquar. Whiskers on old women’s chins, somebody with a bulged-out eye like a rotted plum. Dribblers, head wagglers, mad chatterers. Now it looked as if there’d been some weeding out of the worst cases. Or perhaps drugs, surgery had come into use, perhaps there were ways of treating disfigurement, as well as verbal and other kinds of incontinence—ways that hadn’t existed even those few years ago.

There was, however, a very disconsolate woman sitting at the piano, picking away with one finger and never achieving a tune. Another woman, staring out from behind a coffee urn and a stack of plastic cups, looked bored to stone. But she had to be an employee—she wore a pale-green pants outfit like Kristy’s.

“See?” said Kristy in a softer voice. “You just go up and say hello and try not to startle her. Remember she may not—Well. Just go ahead.”

He saw Fiona in profile, sitting close up to one of the card tables, but not playing. She looked a little puffy in the face, the flab on one cheek hiding the corner of her mouth, in a way it hadn’t done before. She was watching the play of the man she sat closest to. He held his cards tilted so that she could see them. When Grant got near the table she looked up. They all looked up—all the players at the table looked up, with displeasure. Then they immediately looked down at their cards, as if to ward off any intrusion.

But Fiona smiled her lopsided, abashed, sly, and charming smile and pushed back her chair and came round to him, putting her fingers to her mouth.

“Bridge,” she whispered. “Deadly serious. They’re quite rabid about it.” She drew him towards the coffee table, chatting. “I can remember being like that for a while at college. My friends and I would cut class and sit in the common room and smoke and play like cutthroats. One’s name was Phoebe, I don’t remember the others.”

“Phoebe Hart,” Grant said. He pictured the little hollow-chested, black-eyed girl, who was probably dead by now. Wreathed in smoke, Fiona and Phoebe and those others, rapt as witches.

“You knew her too?” said Fiona, directing her smile now towards the stone-faced woman. “Can I get you anything? A cup of tea? I’m afraid the coffee isn’t up to much here.”

Grant never drank tea.

He could not throw his arms around her. Something about her voice and smile, familiar as they were, something about the way she seemed to be guarding the players and even the coffee woman from him—as well as him from their displeasure—made that not possible.

“I brought you some flowers,” he said. “I thought they’d do to brighten up your room. I went to your room, but you weren’t there.”

“Well, no,” she said. “I’m here.”

Grant said, “You’ve made a new friend.” He nodded towards the man she’d been sitting next to. At this moment that man looked up at Fiona and she turned, either because of what Grant had said or because she felt the look at her back.

“It’s just Aubrey,” she said. “The funny thing is I knew him years and years ago. He worked in the store. The hardware store where my grandpa used to shop. He and I were always kidding around and he could not get up the nerve to ask me out. Till the very last weekend and he took me to a ball game. But when it was over my grandpa showed up to drive me home. I was up visiting for the summer. Visiting my grandparents—they lived on a farm.”

“Fiona. I know where your grandparents lived. It’s where we live. Lived.”

“Really?” she said, not paying full attention because the cardplayer was sending her his look, which was not one of supplication but command. He was a man of about Grant’s age, or a little older. Thick coarse white hair fell over his forehead, and his skin was leathery but pale, yellowish-white like an old wrinkled-up kid glove. His long face was dignified and melancholy, and he had something of the beauty of a powerful, discouraged, elderly horse. But where Fiona was concerned he was not discouraged.

“I better go back,” Fiona said, a blush spotting her newly fattened face. “He thinks he can’t play without me sitting there. It’s silly, I hardly know the game anymore. I’m afraid you’ll have to excuse me.”

“Will you be through soon?”

“Oh, we should be. It depends. If you go and ask that grim-looking lady nicely she’ll get you some tea.”

“I’m fine,” Grant said.

“So I’ll leave you then, you can entertain yourself? It must all seem strange to you, but you’ll be surprised how soon you get used to it. You’ll get to know who everybody is. Except that some of them are pretty well off in the clouds, you know—you can’t expect them all to get to know who you are.”

She slipped back into her chair and said something into Aubrey’s ear. She tapped her fingers across the back of his hand.

Grant went in search of Kristy and met her in the hall. She was pushing a cart on which there were pitchers of apple juice and grape juice.

“Just one sec,” she said to him, as she stuck her head through a doorway. “Apple juice in here? Grape juice? Cookies?”

He waited while she filled two plastic glasses and took them into the room. Then she came back and put two arrowroot cookies on paper plates.

“Well?” she said. “Aren’t you glad to see her participating and everything?”

Grant said, “Does she even know who I am?”




He could not decide. She could have been playing a joke. It would not be unlike her. She had given herself away by that little pretense at the end, talking to him as if she thought perhaps he was a new resident.

If that was what she was pretending. If it was a pretense.

But would she not have run after him and laughed at him then, once the joke was over? She would not have just gone back to the game, surely, and pretended to forget about him. That would have been too cruel.

Kristy said, “You just caught her at sort of a bad moment. Involved in the game.”

“She’s not even playing,” he said.

“Well, but her friend’s playing. Aubrey.”

“So who is Aubrey?”

“That’s who he is. Aubrey. Her friend. Would you like a juice?”

Grant shook his head.

“Oh, look,” said Kristy. “They get these attachments. That takes over for a while. Best buddy sort of thing. It’s kind of a phase.”

“You mean she really might not know who I am?”

“She might not. Not today. Then tomorrow—you never know, do you? Things change back and forth all the time and there’s nothing you can do about it. You’ll see the way it is once you’ve been coming here for a while. You’ll learn not to take it all so serious. Learn to take it day by day.”




Day by day. But things really didn’t change back and forth, and he didn’t get used to the way they were. Fiona was the one who seemed to get used to him, but only as some persistent visitor who took a special interest in her. Or perhaps even as a nuisance who must be prevented, according to her old rules of courtesy, from realizing that he was one. She treated him with a distracted, social sort of kindness that was successful in holding him back from the most obvious, the most necessary question. He could not demand of her whether she did or did not remember him as her husband of nearly fifty years. He got the impression that she would be embarrassed by such a question—embarrassed not for herself but for him. She would have laughed in a fluttery way and mortified him with her politeness and bewilderment, and somehow she would have ended up not saying either yes or no. Or she would have said either one in a way that gave not the least satisfaction.

Kristy was the only nurse he could talk to. Some of the others treated the whole thing as a joke. One tough old stick laughed in his face. “That Aubrey and that Fiona? They’ve really got it bad, haven’t they?”

Kristy told him that Aubrey had been the local representative of a company that sold weed killer—“and all that kind of stuff ”—to farmers.

“He was a fine person,” she said, and Grant did not know whether this meant that Aubrey was honest and openhanded and kind to people, or that he was well spoken and well dressed and drove a good car. Probably both.

And then when he was not very old or even retired—she said—he had suffered some unusual kind of damage.

“His wife is the one takes care of him usually. She takes care of him at home. She just put him in here on temporary care so she could get a break. Her sister wanted her to go to Florida. See, she’s had a hard time, you wouldn’t ever have expected a man like him—They just went on a holiday somewhere and he got something, like some bug, that gave him a terrible high fever? And it put him in a coma and left him like he is now.”

He asked her about these affections between residents. Did they ever go too far? He was able now to take a tone of indulgence that he hoped would save him from any lectures.

“Depends what you mean,” she said. She kept writing in her record book while deciding how to answer him. When she finished what she was writing she looked up at him with a frank smile.

“The trouble we have in here, it’s funny, it’s often with some of the ones that haven’t been friendly with each other at all. They maybe won’t even know each other, beyond knowing, like, is it a man or a woman? You’d think it’d be the old guys trying to crawl in bed with the old women, but you know half the time it’s the other way round. Old women going after the old men. Could be they’re not so wore out, I guess.”

Then she stopped smiling, as if she was afraid she had said too much, or spoken callously.

“Don’t take me wrong,” she said. “I don’t mean Fiona. Fiona is a lady.”

Well, what about Aubrey? Grant felt like saying. But he remembered that Aubrey was in a wheelchair.

“She’s a real lady,” Kristy said, in a tone so decisive and reassuring that Grant was not reassured. He had in his mind a picture of Fiona, in one of her long eyelet-trimmed blue-ribboned night-gowns, teasingly lifting the covers of an old man’s bed.

“Well, I sometimes wonder—” he said.

Kristy said sharply, “You wonder what?”

“I wonder whether she isn’t putting on some kind of a charade.”

“A what?” said Kristy.




Most afternoons the pair could be found at the card table. Aubrey had large, thick-fingered hands. It was difficult for him to manage his cards. Fiona shuffled and dealt for him and sometimes moved quickly to straighten a card that seemed to be slipping from his grasp. Grant would watch from across the room her darting move and quick, laughing apology. He could see Aubrey’s husbandly frown as a wisp of her hair touched his cheek. Aubrey preferred to ignore her as long as she stayed close.

But let her smile her greeting at Grant, let her push back her chair and get up to offer him tea—showing that she had accepted his right to be there and possibly felt a slight responsibility for him—and Aubrey’s face took on its look of somber consternation. He would let the cards slide from his fingers and fall on the floor, to spoil the game.

So that Fiona had to get busy and put things right.

If they weren’t at the bridge table they might be walking along the halls, Aubrey hanging on to the railing with one hand and clutching Fiona’s arm or shoulder with the other. The nurses thought that it was a marvel, the way she had got him out of his wheelchair. Though for longer trips—to the conservatory at one end of the building or the television room at the other—the wheelchair was called for.

The television seemed to be always turned to the sports channel and Aubrey would watch any sport, but his favorite appeared to be golf. Grant didn’t mind watching that with them. He sat down a few chairs away. On the large screen a small group of spectators and commentators followed the players around the peaceful green, and at appropriate moments broke into a formal sort of applause. But there was silence everywhere as the player made his swing and the ball took its lonely, appointed journey across the sky. Aubrey and Fiona and Grant and possibly others sat and held their breaths, and then Aubrey’s breath broke out first, expressing satisfaction or disappointment. Fiona’s chimed in on the same note a moment later.

In the conservatory there was no such silence. The pair found themselves a seat among the most lush and thick and tropical-looking plants—a bower, if you like—which Grant had just enough self-control to keep from penetrating. Mixed in with the rustle of the leaves and the sound of splashing water was Fiona’s soft talk and her laughter.

Then some sort of chortle. Which of them could it be?

Perhaps neither—perhaps it came from one of the impudent flashy-looking birds who inhabited the corner cages.

Aubrey could talk, though his voice probably didn’t sound the way it used to. He seemed to say something now—a couple of thick syllables. Take care. He’s here. My love.

On the blue bottom of the fountain’s pool lay some wishing coins. Grant had never seen anybody actually throwing money in. He stared at these nickels and dimes and quarters, wondering if they had been glued to the tiles—another feature of the building’s encouraging decoration.




Teenagers at the baseball game, sitting at the top of the bleachers out of the way of the boy’s friends. A couple of inches of bare wood between them, darkness falling, quick chill of the evening late in the summer. The skittering of their hands, the shift of haunches, eyes never lifted from the field. He’ll take off his jacket, if he’s wearing one, to lay it around her narrow shoulders. Underneath it he can pull her closer to him, press his spread fingers into her soft arm.

Not like today when any kid would probably be into her pants on the first date.

Fiona’s skinny soft arm. Teenage lust astonishing her and flashing along all the nerves of her tender new body, as the night thickens beyond the lighted dust of the game.




Meadowlake was short on mirrors, so he did not have to catch sight of himself stalking and prowling. But every once in a while it came to him how foolish and pathetic and perhaps unhinged he must look, trailing around after Fiona and Aubrey. And having no luck in confronting her, or him. Less and less sure of what right he had to be on the scene but unable to withdraw. Even at home, while he worked at his desk or cleaned up the house or shoveled snow when necessary, some ticking metronome in his mind was fixed on Meadowlake, on his next visit. Sometimes he seemed to himself like a mulish boy conducting a hopeless courtship, sometimes like one of those wretches who follow celebrated women through the streets, convinced that one day these women will turn around and recognize their love.

He made a great effort, and cut his visits down to Wednesdays and Saturdays. Also he set himself to observing other things about the place, as if he was a sort of visitor at large, a person doing an inspection or a social study.

Saturdays had a holiday bustle and tension. Families arrived in clusters. Mothers were usually in charge, they were like cheerful but insistent sheepdogs herding the men and children. Only the smallest children were without apprehension. They noticed right away the green and white squares on the hall floors and picked one color to walk on, the other to jump over. The bolder ones might try to hitch rides on the back of wheelchairs. Some persisted in these tricks in spite of scolding, and had to be removed to the car. And how happily, then, how readily, some older child or father volunteered to do the removing, and thus opt out of the visit.

It was the women who kept the conversation afloat. Men seemed cowed by the situation, teenagers affronted. Those being visited rode in a wheelchair or stumped along with a cane, or walked stiffly, unaided, at the procession’s head, proud of the turnout but somewhat blank-eyed, or desperately babbling, under the stress of it. And now surrounded by a variety of outsiders these insiders did not look like such regular people after all. Female chins might have had their bristles shaved to the roots and bad eyes might be hidden by patches or dark lenses, inappropriate utterances might be controlled by medication, but some glaze remained, a haunted rigidity—as if people were content to become memories of themselves, final photographs.

Grant understood better now how Mr. Farquar must have felt. People here—even the ones who did not participate in any activities but sat around watching the doors or looking out the windows—were living a busy life in their heads (not to mention the life of their bodies, the portentous shifts in their bowels, the stabs and twinges everywhere along the line), and that was a life that in most cases could not very well be described or alluded to in front of visitors. All they could do was wheel or somehow propel themselves about and hope to come up with something that could be displayed or talked about.

There was the conservatory to be shown off, and the big television screen. Fathers thought that was really something. Mothers said the ferns were gorgeous. Soon everybody sat down around the little tables and ate ice cream—refused only by the teenagers, who were dying of disgust. Women wiped away the dribble from shivery old chins and men looked the other way.

There must be some satisfaction in this ritual, and perhaps even the teenagers would be glad, one day, that they had come. Grant was no expert on families.

No children or grandchildren appeared to visit Aubrey, and since they could not play cards—the tables being taken over for the ice cream parties—he and Fiona stayed clear of the Saturday parade. The conservatory was far too popular then for any of their intimate conversations.

Those might be going on, of course, behind Fiona’s closed door. Grant could not manage to knock, though he stood there for some time staring at the Disney birds with an intense, a truly malignant dislike.

Or they might be in Aubrey’s room. But he did not know where that was. The more he explored this place, the more corridors and seating spaces and ramps he discovered, and in his wanderings he was still apt to get lost. He would take a certain picture or chair as a landmark, and the next week whatever he had chosen seemed to have been placed somewhere else. He didn’t like to mention this to Kristy, lest she think he was suffering some mental dislocations of his own. He supposed this constant change and rearranging might be for the sake of the residents—to make their daily exercise more interesting.

He did not mention either that he sometimes saw a woman at a distance that he thought was Fiona, but then thought it couldn’t be, because of the clothes the woman was wearing. When had Fiona ever gone in for bright flowered blouses and electric blue slacks? One Saturday he looked out a window and saw Fiona—it must be her—wheeling Aubrey along one of the paved paths now cleared of snow and ice, and she was wearing a silly woolly hat and a jacket with swirls of blue and purple, the sort of thing he had seen on local women at the supermarket.

The fact must be that they didn’t bother to sort out the wardrobes of the women who were roughly the same size. And counted on the women not recognizing their own clothes anyway.

They had cut her hair, too. They had cut away her angelic halo. On a Wednesday, when everything was more normal and card games were going on again, and the women in the Crafts Room were making silk flowers or costumed dolls without anybody hanging around to pester or admire them, and when Aubrey and Fiona were again in evidence so that it was possible for Grant to have one of his brief and friendly and maddening conversations with his wife, he said to her, “Why did they chop off your hair?”

Fiona put her hands up to her head, to check.

“Why—I never missed it,” she said.




He thought he should find out what went on on the second floor, where they kept the people who, as Kristy said, had really lost it. Those who walked around down here holding conversations with themselves or throwing out odd questions at a passerby (“Did I leave my sweater in the church?”) had apparently lost only some of it.

Not enough to qualify.

There were stairs, but the doors at the top were locked and only the staff had the keys. You could not get into the elevator unless somebody buzzed for it to open, from behind the desk.

What did they do, after they lost it?

“Some just sit,” said Kristy. “Some sit and cry. Some try to holler the house down. You don’t really want to know.”

Sometimes they got it back.

“You go in their rooms for a year and they don’t know you from Adam. Then one day, it’s oh, hi, when are we going home. All of a sudden they’re absolutely back to normal again.”

But not for long.

“You think, wow, back to normal. And then they’re gone again.” She snapped her fingers. “Like so.”




In the town where he used to work there was a bookstore that he and Fiona had visited once or twice a year. He went back there by himself. He didn’t feel like buying anything, but he had made a list and picked out a couple of the books on it, and then bought another book that he noticed by chance. It was about Iceland. A book of nineteenth-century watercolors made by a lady traveler to Iceland.

Fiona had never learned her mother’s language and she had never shown much respect for the stories that it preserved—the stories that Grant had taught and written about, and still did write about, in his working life. She referred to their heroes as “old Njal” or “old Snorri.” But in the last few years she had developed an interest in the country itself and looked at travel guides. She read about William Morris’s trip, and Auden’s. She didn’t really plan to travel there. She said the weather was too dreadful. Also—she said—there ought to be one place you thought about and knew about and maybe longed for—but never did get to see.




When Grant first started teaching Anglo-Saxon and Nordic Literature he got the regular sort of students in his classes. But after a few years he noticed a change. Married women started going back to school. Not with the idea of qualifying for a better job or for any job but simply to give themselves something more interesting to think about than their usual housework and hobbies. To enrich their lives. And perhaps it followed naturally that the men who taught them these things would become part of the enrichment, that these men would seem to these women more mysterious and desirable than the men they still cooked for and slept with.

The studies chosen were usually Psychology or Cultural History or English Literature. Archaeology or Linguistics was picked sometimes but dropped when it turned out to be heavy going. Those who signed up for Grant’s courses might have a Scandinavian background, like Fiona, or they might have learned something about Norse mythology from Wagner or historical novels. There were also a few who thought he was teaching a Celtic language and for whom everything Celtic had a mystic allure.

He spoke to such aspirants fairly roughly from his side of the desk.

“If you want to learn a pretty language, go and learn Spanish. Then you can use it if you go to Mexico.”

Some took his warning and drifted away. Others seemed to be moved in a personal way by his demanding tone. They worked with a will and brought into his office, into his regulated, satisfactory life, the great surprising bloom of their mature female compliance, their tremulous hope of approval.

He chose the woman named Jacqui Adams. She was the opposite of Fiona—short, cushiony, dark-eyed, effusive. A stranger to irony. The affair lasted for a year, until her husband was transferred. When they were saying good-bye, in her car, she began to shake uncontrollably. It was as if she had hypothermia. She wrote to him a few times, but he found the tone of her letters overwrought and could not decide how to answer. He let the time for answering slip away while he became magically and unexpectedly involved with a girl who was young enough to be her daughter.

For another and more dizzying development had taken place while he was busy with Jacqui. Young girls with long hair and sandalled feet were coming into his office and all but declaring themselves ready for sex. The cautious approaches, the tender intimations of feeling required with Jacqui were out the window. A whirlwind hit him, as it did many others, wish becoming action in a way that made him wonder if there wasn’t something missed. But who had time for regrets? He heard of simultaneous liaisons, savage and risky encounters. Scandals burst wide open, with high and painful drama all round but a feeling that somehow it was better so. There were reprisals—there were firings. But those fired went off to teach at smaller, more tolerant colleges or Open Learning Centers, and many wives left behind got over the shock and took up the costumes, the sexual nonchalance of the girls who had tempted their men. Academic parties, which used to be so predictable, became a minefield. An epidemic had broken out, it was spreading like the Spanish flu. Only this time people ran after contagion, and few between sixteen and sixty seemed willing to be left out.

Fiona appeared to be quite willing, however. Her mother was dying, and her experience in the hospital led her from her routine work in the registrar’s office into her new job. Grant himself did not go overboard, at least in comparison with some people around him. He never let another woman get as close to him as Jacqui had been. What he felt was mainly a gigantic increase in well-being. A tendency to pudginess that he had had since he was twelve years old disappeared. He ran up steps two at a time. He appreciated as never before a pageant of torn clouds and winter sunset seen from his office window, the charm of antique lamps glowing between his neighbors’ living-room curtains, the cries of children in the park at dusk, unwilling to leave the hill where they’d been tobogganing. Come summer, he learned the names of flowers. In his classroom, after coaching by his nearly voiceless mother-in-law (her affliction was cancer of the throat), he risked reciting and then translating the majestic and gory ode, the head-ransom, the Hofu-olausn, composed to honor King Eric Blood-axe by the skald whom that king had condemned to death. (And who was then, by the same king—and by the power of poetry—set free.) All applauded—even the peaceniks in the class whom he’d cheerfully taunted earlier, asking if they would like to wait in the hall. Driving home that day or maybe another he found an absurd and blasphemous quotation running around in his head.

And so he increased in wisdom and stature—

And in favor with God and man.

That embarrassed him at the time and gave him a superstitious chill. As it did yet. But so long as nobody knew, it seemed not unnatural.

* * *


He took the book with him, the next time he went to Meadowlake. It was a Wednesday. He went looking for Fiona at the card tables and did not see her.

A woman called out to him, “She’s not here. She’s sick.” Her voice sounded self-important and excited—pleased with herself for having recognized him when he knew nothing about her. Perhaps also pleased with all she knew about Fiona, about Fiona’s life here, thinking it was maybe more than he knew.

“He’s not here either,” she said.

Grant went to find Kristy.

“Nothing, really,” she said, when he asked what was the matter with Fiona. “She’s just having a day in bed today, just a bit of an upset.”

Fiona was sitting straight up in the bed. He hadn’t noticed, the few times that he had been in this room, that this was a hospital bed and could be cranked up in such a way. She was wearing one of her high-necked maidenly gowns, and her face had a pallor that was not like cherry blossoms but like flour paste.

Aubrey was beside her in his wheelchair, pushed as close to the bed as it could get. Instead of the nondescript open-necked shirts he usually wore, he was wearing a jacket and a tie. His natty-looking tweed hat was resting on the bed. He looked as if he had been out on important business.

To see his lawyer? His banker? To make arrangements with the funeral director?

Whatever he’d been doing, he looked worn out by it. He too was gray in the face.

They both looked up at Grant with a stony, grief-ridden apprehension that turned to relief, if not to welcome, when they saw who he was.

Not who they thought he’d be.

They were hanging on to each other’s hands and they did not let go.

The hat on the bed. The jacket and tie.

It wasn’t that Aubrey had been out. It wasn’t a question of where he’d been or whom he’d been to see. It was where he was going.

Grant set the book down on the bed beside Fiona’s free hand.

“It’s about Iceland,” he said. “I thought maybe you’d like to look at it.”

“Why, thank you,” said Fiona. She didn’t look at the book. He put her hand on it.

“Iceland,” he said.

She said, “Ice-land.” The first syllable managed to hold a tinkle of interest, but the second fell flat. Anyway, it was necessary for her to turn her attention back to Aubrey, who was pulling his great thick hand out of hers.

“What is it?” she said. “What is it, dear heart?”

Grant had never heard her use this flowery expression before.

“Oh, all right,” she said. “Oh, here.” And she pulled a handful of tissues from the box beside her bed.

Aubrey’s problem was that he had begun to weep. His nose had started to run, and he was anxious not to turn into a sorry spectacle, especially in front of Grant.

“Here. Here,” said Fiona. She would have tended to his nose herself and wiped his tears—and perhaps if they had been alone he would have let her do it. But with Grant there Aubrey would not permit it. He got hold of the Kleenex as well as he could and made a few awkward but lucky swipes at his face.

While he was occupied, Fiona turned to Grant.

“Do you by any chance have any influence around here?” she said in a whisper. “I’ve seen you talking to them–”

Aubrey made a noise of protest or weariness or disgust. Then his upper body pitched forward as if he wanted to throw himself against her. She scrambled half out of bed and caught him and held on to him. It seemed improper for Grant to help her, though of course he would have done so if he’d thought Aubrey was about to tumble to the floor.

“Hush,” Fiona was saying. “Oh, honey. Hush. We’ll get to see each other. We’ll have to. I’ll go and see you. You’ll come and see me.”

Aubrey made the same sound again with his face in her chest, and there was nothing Grant could decently do but get out of the room.

“I just wish his wife would hurry up and get here,” Kristy said. “I wish she’d get him out of here and cut the agony short. We’ve got to start serving supper before long and how are we supposed to get her to swallow anything with him still hanging around?”

Grant said, “Should I stay?”

“What for? She’s not sick, you know.”

“To keep her company,” he said.

Kristy shook her head.

“They have to get over these things on their own. They’ve got short memories usually. That’s not always so bad.”

Kristy was not hard-hearted. During the time he had known her Grant had found out some things about her life. She had four children. She did not know where her husband was but thought he might be in Alberta. Her younger boy’s asthma was so bad that he would have died one night in January if she had not got him to the emergency ward in time. He was not on any illegal drugs, but she was not so sure about his brother.

To her, Grant and Fiona and Aubrey too must seem lucky. They had got through life without too much going wrong. What they had to suffer now that they were old hardly counted.

Grant left without going back to Fiona’s room. He noticed that the wind was actually warm that day and the crows were making an uproar. In the parking lot a woman wearing a tartan pants suit was getting a folded-up wheelchair out of the trunk of her car.




The street he was driving down was called Black Hawks Lane. All the streets around were named for teams in the old National Hockey League. This was in an outlying section of the town near Meadowlake. He and Fiona had shopped in the town regularly but had not become familiar with any part of it except the main street.

The houses looked to have been built all around the same time, perhaps thirty or forty years ago. The streets were wide and curving and there were no sidewalks—recalling the time when it was thought unlikely that anybody would do much walking ever again. Friends of Grant’s and Fiona’s had moved to places something like this when they began to have their children. They were apologetic about the move at first. They called it “going out to Barbecue Acres.”

Young families still lived here. There were basketball hoops over garage doors and tricycles in the driveways. But some of the houses had gone downhill from the sort of family homes they were surely meant to be. The yards were marked by car tracks, the windows were plastered with tinfoil or hung with faded flags.

Rental housing. Young male tenants—single still, or single again.

A few properties seemed to have been kept up as well as possible by the people who had moved into them when they were new—people who hadn’t had the money or perhaps hadn’t felt the need to move on to someplace better. Shrubs had grown to maturity, pastel vinyl siding had done away with the problem of repainting. Neat fences or hedges gave the sign that the children in the houses had all grown up and gone away, and that their parents no longer saw the point of letting the yard be a common run-through for whatever new children were loose in the neighborhood.

The house that was listed in the phone book as belonging to Aubrey and his wife was one of these. The front walk was paved with flagstones and bordered by hyacinths that stood as stiff as china flowers, alternately pink and blue.




Fiona had not got over her sorrow. She did not eat at mealtimes, though she pretended to, hiding food in her napkin. She was being given a supplementary drink twice a day—someone stayed and watched while she swallowed it down. She got out of bed and dressed herself, but all she wanted to do then was sit in her room. She wouldn’t have taken any exercise at all if Kristy or one of the other nurses, and Grant during visiting hours, had not walked her up and down in the corridors or taken her outside.

In the spring sunshine she sat, weeping weakly, on a bench by the wall. She was still polite—she apologized for her tears, and never argued with a suggestion or refused to answer a question. But she wept. Weeping had left her eyes raw-edged and dim. Her cardigan—if it was hers—would be buttoned crookedly. She had not got to the stage of leaving her hair unbrushed or her nails uncleaned, but that might come soon.

Kristy said that her muscles were deteriorating, and that if she didn’t improve soon they would put her on a walker.

“But you know once they get a walker they start to depend on it and they never walk much anymore, just get wherever it is they have to go.”

“You’ll have to work at her harder,” she said to Grant. “Try and encourage her.”

But Grant had no luck at that. Fiona seemed to have taken a dislike to him, though she tried to cover it up. Perhaps she was reminded, every time she saw him, of her last minutes with Aubrey, when she had asked him for help and he hadn’t helped her.

He didn’t see much point in mentioning their marriage, now.

She wouldn’t go down the hall to where most of the same people were still playing cards. And she wouldn’t go into the television room or visit the conservatory.

She said that she didn’t like the big screen, it hurt her eyes. And the birds’ noise was irritating and she wished they would turn the fountain off once in a while.

So far as Grant knew, she never looked at the book about Iceland, or at any of the other—surprisingly few—books that she had brought from home. There was a reading room where she would sit down to rest, choosing it probably because there was seldom anybody there, and if he took a book off the shelves she would allow him to read to her.

He suspected that she did that because it made his company easier for her—she was able to shut her eyes and sink back into her own grief. Because if she let go of her grief even for a minute it would only hit her harder when she bumped into it again. And sometimes he thought she closed her eyes to hide a look of informed despair that it would not be good for him to see.

So he sat and read to her out of one of these old novels about chaste love, and lost-and-regained fortunes, that could have been the discards of some long-ago village or Sunday school library. There had been no attempt, apparently, to keep the contents of the reading room as up-to-date as most things in the rest of the building.

The covers of the books were soft, almost velvety, with designs of leaves and flowers pressed into them, so that they resembled jewelry boxes or chocolate boxes. That women—he supposed it would be women—could carry home like treasure.




The supervisor called him into her office. She said that Fiona was not thriving as they had hoped.

“Her weight is going down even with the supplement. We’re doing all we can for her.”

Grant said that he realized they were.

“The thing is, I’m sure you know, we don’t do any prolonged bed care on the first floor. We do it temporarily if someone isn’t feeling well, but if they get too weak to move around and be responsible we have to consider upstairs.”

He said he didn’t think that Fiona had been in bed that often.

“No. But if she can’t keep up her strength, she will be. Right now she’s borderline.”

He said that he had thought the second floor was for people whose minds were disturbed.

“That too,” she said.




He hadn’t remembered anything about Aubrey’s wife except the tartan suit he had seen her wearing in the parking lot. The tails of the jacket had flared open as she bent into the trunk of the car. He had got the impression of a trim waist and wide buttocks.

She was not wearing the tartan suit today. Brown belted slacks and a pink sweater. He was right about the waist—the tight belt showed she made a point of it. It might have been better if she hadn’t, since she bulged out considerably above and below.

She could be ten or twelve years younger than her husband. Her hair was short, curly, artificially reddened. She had blue eyes—a lighter blue than Fiona’s, a flat robin’s-egg or turquoise blue—slanted by a slight puffiness. And a good many wrinkles made more noticeable by a walnut-stain makeup. Or perhaps that was her Florida tan.

He said that he didn’t quite know how to introduce himself.

“I used to see your husband at Meadowlake. I’m a regular visitor there myself.”

“Yes,” said Aubrey’s wife, with an aggressive movement of her chin.

“How is your husband doing?”

The “doing” was added on at the last moment. Normally he would have said, “How is your husband?”

“He’s okay,” she said.

“My wife and he struck up quite a close friendship.”

“I heard about that.”

“So. I wanted to talk to you about something if you had a minute.”

“My husband did not try to start anything with your wife, if that’s what you’re getting at,” she said. “He did not molest her in any way. He isn’t capable of it and he wouldn’t anyway. From what I heard it was the other way round.”

Grant said, “No. That isn’t it at all. I didn’t come here with any complaints about anything.”

“Oh,” she said. “Well, I’m sorry. I thought you did.”

That was all she was going to give by way of apology. And she didn’t sound sorry. She sounded disappointed and confused.

“You better come in, then,” she said. “It’s blowing cold in through the door. It’s not as warm out today as it looks.”

So it was something of a victory for him even to get inside. He hadn’t realized it would be as hard as this. He had expected a different sort of wife. A flustered homebody, pleased by an unexpected visit and flattered by a confidential tone.

She took him past the entrance to the living room, saying, “We’ll have to sit in the kitchen where I can hear Aubrey.” Grant caught sight of two layers of front-window curtains, both blue, one sheer and one silky, a matching blue sofa and a daunting pale carpet, various bright mirrors and ornaments.

Fiona had a word for those sort of swooping curtains—she said it like a joke, though the women she’d picked it up from used it seriously. Any room that Fiona fixed up was bare and bright—she would have been astonished to see so much fancy stuff crowded into such a small space. He could not think what that word was.

From a room off the kitchen—a sort of sunroom, though the blinds were drawn against the afternoon brightness—he could hear the sounds of television.

Aubrey. The answer to Fiona’s prayers sat a few feet away, watching what sounded like a ball game. His wife looked in at him. She said, “You okay?” and partly closed the door.

“You might as well have a cup of coffee,” she said to Grant.

He said, “Thanks.”

“My son got him on the sports channel a year ago Christmas, I don’t know what we’d do without it.”

On the kitchen counters there were all sorts of contrivances and appliances—coffeemaker, food processor, knife sharpener, and some things Grant didn’t know the names or uses of. All looked new and expensive, as if they had just been taken out of their wrappings, or were polished daily.

He thought it might be a good idea to admire things. He admired the coffeemaker she was using and said that he and Fiona had always meant to get one. This was absolutely untrue—Fiona had been devoted to a European contraption that made only two cups at a time.

“They gave us that,” she said. “Our son and his wife. They live in Kamloops. B.C. They send us more stuff than we can handle. It wouldn’t hurt if they would spend the money to come and see us instead.”

Grant said philosophically, “I suppose they’re busy with their own lives.”

“They weren’t too busy to go to Hawaii last winter. You could understand it if we had somebody else in the family, closer at hand. But he’s the only one.”

The coffee being ready, she poured it into two brown-and-green ceramic mugs that she took from the amputated branches of a ceramic tree trunk that sat on the table.

“People do get lonely,” Grant said. He thought he saw his chance now. “If they’re deprived of seeing somebody they care about, they do feel sad. Fiona, for instance. My wife.”

“I thought you said you went and visited her.”

“I do,” he said. “That’s not it.”

Then he took the plunge, going on to make the request he’d come to make. Could she consider taking Aubrey back to Meadowlake maybe just one day a week, for a visit? It was only a drive of a few miles, surely it wouldn’t prove too difficult. Or if she’d like to take the time off—Grant hadn’t thought of this before and was rather dismayed to hear himself suggest it—then he himself could take Aubrey out there, he wouldn’t mind at all. He was sure he could manage it. And she could use a break.

While he talked she moved her closed lips and her hidden tongue as if she was trying to identify some dubious flavor. She brought milk for his coffee, and a plate of ginger cookies.

“Homemade,” she said as she set the plate down. There was challenge rather than hospitality in her tone. She said nothing more until she had sat down, poured milk into her coffee and stirred it.

Then she said no.

“No. I can’t do that. And the reason is, I’m not going to upset him.”

“Would it upset him?” Grant said earnestly.

“Yes, it would. It would. That’s no way to do. Bringing him home and taking him back. Bringing him home and taking him back, that’s just confusing him.”

“But wouldn’t he understand that it was just a visit? Wouldn’t he get into the pattern of it?”

“He understands everything all right.” She said this as if he had offered an insult to Aubrey. “But it’s still an interruption. And then I’ve got to get him all ready and get him into the car, and he’s a big man, he’s not so easy to manage as you might think. I’ve got to maneuver him into the car and pack his chair along and all that and what for? If I go to all that trouble I’d prefer to take him someplace that was more fun.”

“But even if I agreed to do it?” Grant said, keeping his tone hopeful and reasonable. “It’s true, you shouldn’t have the trouble.”

“You couldn’t,” she said flatly. “You don’t know him. You couldn’t handle him. He wouldn’t stand for you doing for him. All that bother and what would he get out of it?”

Grant didn’t think he should mention Fiona again.

“It’d make more sense to take him to the mall,” she said. “Where he could see kids and whatnot. If it didn’t make him sore about his own two grandsons he never gets to see. Or now the lake boats are starting to run again, he might get a charge out of going and watching that.”

She got up and fetched her cigarettes and lighter from the window above the sink.

“You smoke?” she said.

He said no thanks, though he didn’t know if a cigarette was being offered.

“Did you never? Or did you quit?”

“Quit,” he said.

“How long ago was that?”

He thought about it.

“Thirty years. No—more.”

He had decided to quit around the time he started up with Jacqui. But he couldn’t remember whether he quit first, and thought a big reward was coming to him for quitting, or thought that the time had come to quit, now that he had such a powerful diversion.

“I’ve quit quitting,” she said, lighting up. “Just made a resolution to quit quitting, that’s all.”

Maybe that was the reason for the wrinkles. Somebody—a woman—had told him that women who smoked developed a special set of fine facial wrinkles. But it could have been from the sun, or just the nature of her skin—her neck was noticeably wrinkled as well. Wrinkled neck, youthfully full and up-tilted breasts. Women of her age usually had these contradictions. The bad and good points, the genetic luck or lack of it, all mixed up together. Very few kept their beauty whole, though shadowy, as Fiona had done.

And perhaps that wasn’t even true. Perhaps he only thought that because he’d known Fiona when she was young. Perhaps to get that impression you had to have known a woman when she was young.

So when Aubrey looked at his wife did he see a high-school girl full of scorn and sass, with an intriguing tilt to her robin’s-egg blue eyes, pursing her fruity lips around a forbidden cigarette?

“So your wife’s depressed?” Aubrey’s wife said. “What’s your wife’s name? I forget.”

“It’s Fiona.”

“Fiona. And what’s yours? I don’t think I ever was told that.”

Grant said, “It’s Grant.”

She stuck her hand out unexpectedly across the table.

“Hello, Grant. I’m Marian.”

“So now we know each other’s name,” she said, “there’s no point in not telling you straight out what I think. I don’t know if he’s still so stuck on seeing your—on seeing Fiona. Or not. I don’t ask him and he’s not telling me. Maybe just a passing fancy. But I don’t feel like taking him back there in case it turns out to be more than that. I can’t afford to risk it. I don’t want him getting hard to handle. I don’t want him upset and carrying on. I’ve got my hands full with him as it is. I don’t have any help. It’s just me here. I’m it.”

“Did you ever consider—it is very hard for you—” Grant said—“did you ever consider his going in there for good?”

He had lowered his voice almost to a whisper, but she did not seem to feel a need to lower hers.

“No,” she said. “I’m keeping him right here.”

Grant said, “Well. That’s very good and noble of you.”

He hoped the word “noble” had not sounded sarcastic. He had not meant it to be.

“You think so?” she said. “Noble is not what I’m thinking about.”

“Still. It’s not easy.”

“No, it isn’t. But the way I am, I don’t have much choice. If I put him in there I don’t have the money to pay for him unless I sell the house. The house is what we own outright. Otherwise I don’t have anything in the way of resources. I get the pension next year, and I’ll have his pension and my pension, but even so I could not afford to keep him there and hang on to the house. And it means a lot to me, my house does.”

“It’s very nice,” said Grant.

“Well, it’s all right. I put a lot into it. Fixing it up and keeping it up.”

“I’m sure you did. You do.”

“I don’t want to lose it.”

“No.”

“I’m not going to lose it.”

“I see your point.”

“The company left us high and dry,” she said. “I don’t know all the ins and outs of it, but basically he got shoved out. It ended up with them saying he owed them money and when I tried to find out what was what he just went on saying it’s none of my business. What I think is he did something pretty stupid. But I’m not supposed to ask, so I shut up. You’ve been married. You are married. You know how it is. And in the middle of me finding out about this we’re supposed to go on this trip with these people and can’t get out of it. And on the trip he takes sick from this virus you never heard of and goes into a coma. So that pretty well gets him off the hook.”

Grant said, “Bad luck.”

“I don’t mean exactly that he got sick on purpose. It just happened. He’s not mad at me anymore and I’m not mad at him. It’s just life.”

“That’s true.”

“You can’t beat life.”

She flicked her tongue in a cat’s businesslike way across her top lip, getting the cookie crumbs. “I sound like I’m quite the philosopher, don’t I? They told me out there you used to be a university professor.”

“Quite a while ago,” Grant said.

“I’m not much of an intellectual,” she said.

“I don’t know how much I am, either.”

“But I know when my mind’s made up. And it’s made up. I’m not going to let go of the house. Which means I’m keeping him here and I don’t want him getting it in his head he wants to move anyplace else. It was probably a mistake putting him in there so I could get away, but I wasn’t going to get another chance, so I took it. So. Now I know better.”

She shook out another cigarette.

“I bet I know what you’re thinking,” she said.

“You’re thinking there’s a mercenary type of a person.”

“I’m not making judgments of that sort. It’s your life.”

“You bet it is.”

He thought they should end on a more neutral note. So he asked her if her husband had worked in a hardware store in the summers, when he was going to school.

“I never heard about it,” she said. “I wasn’t raised here.”




Driving home, he noticed that the swamp hollow that had been filled with snow and the formal shadows of tree trunks was now lighted up with skunk lilies. Their fresh, edible-looking leaves were the size of platters. The flowers sprang straight up like candle flames, and there were so many of them, so pure a yellow, that they set a light shooting up from the earth on this cloudy day. Fiona had told him that they generated a heat of their own as well. Rummaging around in one of her concealed pockets of information, she said that you were supposed to be able to put your hand inside the curled petal and feel the heat. She said that she had tried it, but she couldn’t be sure if what she felt was heat or her imagination. The heat attracted bugs.

“Nature doesn’t fool around just being decorative.”

He had failed with Aubrey’s wife. Marian. He had foreseen that he might fail, but he had not in the least foreseen why. He had thought that all he’d have to contend with would be a woman’s natural sexual jealousy—or her resentment, the stubborn remains of sexual jealousy.

He had not had any idea of the way she might be looking at things. And yet in some depressing way the conversation had not been unfamiliar to him. That was because it reminded him of conversations he’d had with people in his own family. His uncles, his relatives, probably even his mother, had thought the way Marian thought. They had believed that when other people did not think that way it was because they were kidding themselves—they had got too airy-fairy, or stupid, on account of their easy and protected lives or their education. They had lost touch with reality. Educated people, literary people, some rich people like Grant’s socialist in-laws had lost touch with reality. Due to an unmerited good fortune or an innate silliness. In Grant’s case, he suspected, they pretty well believed it was both.

That was how Marian would see him, certainly. A silly person, full of boring knowledge and protected by some fluke from the truth about life. A person who didn’t have to worry about holding on to his house and could go around thinking his complicated thoughts. Free to dream up the fine, generous schemes that he believed would make another person happy.

What a jerk, she would be thinking now.

Being up against a person like that made him feel hopeless, exasperated, finally almost desolate. Why? Because he couldn’t be sure of holding on to himself against that person? Because he was afraid that in the end they’d be right? Fiona wouldn’t feel any of that misgiving. Nobody had beat her down, narrowed her in, when she was young. She’d been amused by his upbringing, able to think its harsh notions quaint.

Just the same, they have their points, those people. (He could hear himself now arguing with somebody. Fiona?) There’s some advantage to the narrow focus. Marian would probably be good in a crisis. Good at survival, able to scrounge for food and able to take the shoes off a dead body in the street.

Trying to figure out Fiona had always been frustrating. It could be like following a mirage. No—like living in a mirage. Getting close to Marian would present a different problem. It would be like biting into a litchi nut. The flesh with its oddly artificial allure, its chemical taste and perfume, shallow over the extensive seed, the stone.




He might have married her. Think of it. He might have married some girl like that. If he’d stayed back where he belonged. She’d have been appetizing enough, with her choice breasts. Probably a flirt. The fussy way she had of shifting her buttocks on the kitchen chair, her pursed mouth, a slightly contrived air of menace—that was what was left of the more or less innocent vulgarity of a smalltown flirt.

She must have had some hopes, when she picked Aubrey. His good looks, his salesman’s job, his white-collar expectations. She must have believed that she would end up better off than she was now. And so it often happened with those practical people. In spite of their calculations, their survival instincts, they might not get as far as they had quite reasonably expected. No doubt it seemed unfair.

In the kitchen the first thing he saw was the light blinking on his answering machine. He thought the same thing he always thought now. Fiona.

He pressed the button before he got his coat off.

“Hello, Grant. I hope I got the right person. I just thought of something. There is a dance here in town at the Legion supposed to be for singles on Saturday night, and I am on the supper committee, which means I can bring a free guest. So I wondered whether you would happen to be interested in that? Call me back when you get a chance.”

A woman’s voice gave a local number. Then there was a beep, and the same voice started talking again.

“I just realized I’d forgot to say who it was. Well you probably recognized the voice. It’s Marian. I’m still not so used to these machines. And I wanted to say I realize you’re not a single and I don’t mean it that way. I’m not either, but it doesn’t hurt to get out once in a while. Anyway, now I’ve said all this I really hope it’s you I’m talking to. It did sound like your voice. If you are interested you can call me and if you are not you don’t need to bother. I just thought you might like the chance to get out. It’s Marian speaking. I guess I already said that. Okay, then. Good-bye.”

Her voice on the machine was different from the voice he’d heard a short time ago in her house. Just a little different in the first message, more so in the second. A tremor of nerves there, an affected nonchalance, a hurry to get through and a reluctance to let go.

Something had happened to her. But when had it happened? If it had been immediate, she had concealed it very successfully all the time he was with her. More likely it came on her gradually, maybe after he’d gone away. Not necessarily as a blow of attraction. Just the realization that he was a possibility, a man on his own. More or less on his own. A possibility that she might as well try to follow up.

But she’d had the jitters when she made the first move. She had put herself at risk. How much of herself, he could not yet tell. Generally a woman’s vulnerability increased as time went on, as things progressed. All you could tell at the start was that if there was an edge of it now, there’d be more later.

It gave him a satisfaction—why deny it?—to have brought that out in her. To have roused something like a shimmer, a blurring, on the surface of her personality. To have heard in her testy, broad vowels this faint plea.

He set out the eggs and mushrooms to make himself an omelette. Then he thought he might as well pour a drink.

Anything was possible. Was that true—was anything possible? For instance, if he wanted to, would he be able to break her down, get her to the point where she might listen to him about taking Aubrey back to Fiona? And not just for visits, but for the rest of Aubrey’s life. Where could that tremor lead them? To an upset, to the end of her self-preservation? To Fiona’s happiness?

It would be a challenge. A challenge and a creditable feat. Also a joke that could never be confided to anybody—to think that by his bad behavior he’d be doing good for Fiona.

But he was not really capable of thinking about it. If he did think about it, he’d have to figure out what would become of him and Marian, after he’d delivered Aubrey to Fiona. It would not work—unless he could get more satisfaction than he foresaw, finding the stone of blameless self-interest inside her robust pulp.

You never quite knew how such things would turn out. You almost knew, but you could never be sure.

She would be sitting in her house now, waiting for him to call. Or probably not sitting. Doing things to keep herself busy. She seemed to be a woman who would keep busy. Her house had certainly shown the benefits of nonstop attention. And there was Aubrey—care of him had to continue as usual. She might have given him an early supper—fitting his meals to a Meadowlake timetable in order to get him settled for the night earlier and free herself of his routine for the day. (What would she do about him when she went to the dance? Could he be left alone or would she get a sitter? Would she tell him where she was going, introduce her escort? Would her escort pay the sitter?)

She might have fed Aubrey while Grant was buying the mushrooms and driving home. She might now be preparing him for bed. But all the time she would be conscious of the phone, of the silence of the phone. Maybe she would have calculated how long it would take Grant to drive home. His address in the phone book would have given her a rough idea of where he lived. She would calculate how long, then add to that time for possible shopping for supper (figuring that a man alone would shop every day). Then a certain amount of time for him to get around to listening to his messages. And as the silence persisted she would think of other things. Other errands he might have had to do before he got home. Or perhaps a dinner out, a meeting that meant he would not get home at suppertime at all.

She would stay up late, cleaning her kitchen cupboards, watching television, arguing with herself about whether there was still a chance.

What conceit on his part. She was above all things a sensible woman. She would go to bed at her regular time thinking that he didn’t look as if he’d be a decent dancer anyway. Too stiff, too professorial.

He stayed near the phone, looking at magazines, but he didn’t pick it up when it rang again.

“Grant. This is Marian. I was down in the basement putting the wash in the dryer and I heard the phone and when I got upstairs whoever it was had hung up. So I just thought I ought to say I was here. If it was you and if you are even home. Because I don’t have a machine obviously, so you couldn’t leave a message. So I just wanted. To let you know.

“Bye.”

The time was now twenty-five after ten.

Bye.

He would say that he’d just got home. There was no point in bringing to her mind the picture of his sitting here, weighing the pros and cons.

Drapes. That would be her word for the blue curtains—drapes. And why not? He thought of the ginger cookies so perfectly round that she’d had to announce they were homemade, the ceramic coffee mugs on their ceramic tree. A plastic runner, he was sure, protecting the hall carpet. A high-gloss exactness and practicality that his mother had never achieved but would have admired—was that why he could feel this twinge of bizarre and unreliable affection? Or was it because he’d had two more drinks after the first?

The walnut-stain tan—he believed now that it was a tan—of her face and neck would most likely continue into her cleavage, which would be deep, crepey-skinned, odorous and hot. He had that to think of, as he dialed the number that he had already written down. That and the practical sensuality of her cat’s tongue. Her gemstone eyes.




Fiona was in her room but not in bed. She was sitting by the open window, wearing a seasonable but oddly short and bright dress. Through the window came a heady, warm blast of lilacs in bloom and the spring manure spread over the fields.

She had a book open in her lap.

She said, “Look at this beautiful book I found, it’s about Iceland. You wouldn’t think they’d leave valuable books lying around in the rooms. The people staying here are not necessarily honest. And I think they’ve got the clothes mixed up. I never wear yellow.”

“Fiona…,” he said.

“You’ve been gone a long time. Are we all checked out now?”

“Fiona, I’ve brought a surprise for you. Do you remember Aubrey?”

She stared at him for a moment, as if waves of wind had come beating into her face. Into her face, into her head, pulling everything to rags.

“Names elude me,” she said harshly.

Then the look passed away as she retrieved, with an effort, some bantering grace. She set the book down carefully and stood up and lifted her arms to put them around him. Her skin or her breath gave off a faint new smell, a smell that seemed to him like that of the stems of cut flowers left too long in their water.

“I’m happy to see you,” she said, and pulled his earlobes.

“You could have just driven away,” she said. “Just driven away without a care in the world and forsook me. Forsooken me. Forsaken.”

He kept his face against her white hair, her pink scalp, her sweetly shaped skull. He said, Not a chance.




Acclaim for Alice Munro







“No one working today can write more convincingly about ‘the progress of love’ than Alice Munro.”

    

—Michiko Kakutani, The New York Times












“Alice Munro is the living writer most likely to be read in a hundred years.… Her genius, like Chekhov’s, is quiet and particularly hard to describe, because it has the simplicity of the best naturalism, in that it seems not translated from life, but, rather, like life itself.”

    

—Mona Simpson, The New Republic












“Munro’s stories are composed with a clarity and economy that make novel-writing look downright superfluous and self-indulgent.”

    

—A. O. Scott, The New York Times Book Review












“[Munro’s] writing never loses its juice, never goes brittle; it also never equivocates or blinks, but simply lets observations speak for themselves.”

    

—Lorrie Moore, The Atlantic Monthly












“Alice Munro spins tales that show us, again and again, and with wondrous grace, how much can be done in a simple short story.”

    

—Pico Iyer, Time












“It has been remarked that there is almost always something open-ended, unexplained, or incomplete in Munro’s work. But this deliberate refusal to weave in all the loose threads makes her stories seem more authentic, since this is what real life is like.”

    

—Alison Lurie, The New York Review of Books












“Munro is the illusionist whose trick can never be exposed. And that is because there is no smoke, there are no mirrors. Munro really does know magic: how to summon the spirits and the emotions that animate our lives.”

    

—The Washington Post












“In Munro’s hands, a short story is more than big enough to hold the world—and to astonish us, again and again, with the choices forced upon the human heart.”

    

—Chicago Tribune












“Nothing in a Munro story ever feels contrived…. [She] sings, and her women are heroic. They endure the lives produced by their choices and the fates, and they endure in the mind of the reader.”

    

—The Boston Globe












“From a markedly finite number of essential components, Munro rather miraculously spins out countless permuta tions of desire and despair, attenuated hopes and cloud bursts of epiphany.”

    

—The Village Voice









About the Author





Alice Munro grew up in Wingham, Ontario, and attended the University of Western Ontario. She has published more than ten collections of stories as well as a novel, Lives of Girls and Women. During her distinguished career she has been the recipient of many awards and prizes, including three of Canada’s Governor General’s Literary Awards and its Giller Prize, the Rea Award for the Short Story, the Lannan Literary Award, the W. H. Smith Literary Award, and the National Book Critics Circle Award. Her stories have appeared in The New Yorker, The Atlantic Monthly, The Paris Review, and other publications, and her collections have been translated into thirteen languages. Alice Munro and her husband divide their time between Clinton, Ontario, near Lake Huron, and Comox, British Columbia.




ALSO BY ALICE MUNRO


The View From Castle Rock

Runaway

Hateship, Friendship, Courtship, Loveship, Marriage

The Love of a Good Woman

Selected Stories

Open Secrets

Friend of My Youth

The Progress of Love

The Moons of Jupiter

The Beggar Maid

Something I’ve Been Meaning To Tell You

Lives of Girls and Women

Dance of the Happy Shades




Copyright


A VINTAGE CONTEMPORARIES ORIGINAL,

MAY 2007

“The Bear Came Over the Mountain” copyright © 1999

by Alice Munro

Preface copyright © 2007 by Sarah Polley

All rights reserved.

Vintage is a registered trademark and Vintage Contemporaries and colophon are registered trademarks of Random House, Inc.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

The Cataloging-in-Publication Data is on file at the Library of Congress

eISBN: 978-0-307-48181-8

www.vintagebooks.com